Zombie Nation, a German composer, known largely, by mainstream society, for the song Kernkraft 400 is not, however, what initially attracted me to his music.
It was not until the release of the album titled Black Toys that I truly took an interest in his compositions, such as Peace and Greed and Taxi Extreme. And the release of the album titled Zombilicious and songs such as Forza and Supercake 53 only established loyalty from me as a admirer.
His potent use of percussive instruments is my primary attraction to his music.
Secondly, I respect Florian Senfter as a composer, who has continually exhibited originality throughout his musical career. Many producers are able to replicate that which originated elsewhere, successfully I might add, however, that is exactly what such a endeavor becomes, a replication. Because of his fluctuating compositional approach, I am always able to experience new material, from the composer, without any expectations. And an audience without expectations fabricates a composer without creative boundaries.
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